You drift to the turret controls and shut them down, then across empty space to the ninja, taking him down in a few swipes of your sword. Amidst the chaos, automated turrets rise from the ground and fleet-footed ninjas fling shuriken at you from disconnected platforms. You are not Hercules but Hermes, quick and cunning, moving in when opportunity strikes, and dashing away. When you slip around and between projectiles and attack dogs, drifting is even sweeter.
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With each drift, you leave a series of brief afterimages in your wake, which makes the mechanic inherently enjoyable.
Yet just as the exploration and visuals follow a satisfying and varied rhythm, so too do individual battles. (I know of players performing chains of an awe-inspiring 1,000 drifts in the village's practice arena.) With these tools, you face magic-wielding vultures, crystalline spiders, and vicious gunners, and taking down a mass of them within a confined space can be a Herculean labor. Eventually, you can string together an infinite number of drifts, but the timing can be elusive. These early hours are also the time to master the slick dashes known as drifting. The simple creatures that first drop in to harass you provide little challenge, but they help accustom you to your fluid melee attacks and the way those attacks charge your guns. Combat arenas and environmental dangers are the primary obstacles in your path, and they prove formidable ones, particularly when you must contend with both at once.
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Its structure is simple once you learn: you travel to each of the game's four primary regions to fight bosses and ultimately unlock the final area, collecting objects that serve as currency and returning to your home village to upgrade skills and weapons along the way. Aside from some plain-text coaching, Hyper Light Drifter largely uses its own wordless language to lead you. Visual and narrative mysteries translate to structural ones, too. Few games use color so well, with its sandy browns and blistering oranges depicting the blazing desert heat. Yellows and soft pinks turn to rich greens and mauves, and even later, deep purples. In each of the game's regions, the color palette grows more complex. You speak to citizens, who warble at you unintelligibly and warn you of danger with simple graphical speech bubbles. You take in sights such as a colossal mechanical hand-iced over, disembodied-and wonder about the titan it belonged to.
Heart Machine uses the number of notes required, no fewer and no more during the rests, you explore the world, looking for secrets and valuable health packs. Developer Heart Machine applies to its visuals a lesson music composers learn early in their studies: rests are as important as notes. The grandest vistas calm your pulse between difficult, breathless combat sequences. It is more than simply pretty Hyper Light Drifter uses its visuals to both guide and relax you. Such is the power of artistry this rich and thoughtful. I don't know this place's entire history, but its desolate elegance inspires me to fill in the gaps myself. As stunning as it is, Hyper Light Drifter's greatest triumph isn't in the story that it tells, but in the stories that it doesn't.
I want to hear the music that they sing, and see the places they have been. I wish to hear the stories its citizens tell of the world it once was, and the one it might become. Hyper Light Drifter's setting is so beautiful, so haunting, that I long to know all I can about it.
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